MS01.03.03.B07.F01.0056

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May 16, 2021 shakurra May 16, 2021 shakurra May 14, 2021 David Conway	MS01.03.03.B07.F01.0056 April 7, 1988 Dear David, I hope you are feeling better than you sounded on the telephone. Your enthusiasm level is really at the bottom of the barrel. I really feel that we must move ahead rapidly with decisions related to number of pieces, sculpture vs paintings, actual selections, dimensions, titles and the specific approach in analysis of the works based on our original criteria. As you will see from the slides, several pieces look alike, some artists favor each other, etc. Although I haven't received them all, because I am trying to get a set to you & to Henry, it would seem that serious cuts should be made. I'll leave that up to you [double underscored] two [end of double underscored] I have advertised for an exhibition designer. He will need the exact pieces to determine the layout in Gallery Two. There's the possibiliity that the art component will extend into the sculpture court area. This means designing different kinds of wall systems to separate it from the entry - historical part.	MS01.03.03.B07.F01.0056 April 7, 1988 Dear David, I hope you are feeling better than you sounded on the telephone. Your enthusiasm level is really at the bottom of the barrel. I really feel that we must move ahead rapidly with decisions related to number of pieces, sculpture vs paintings, actual selections, dimensions, titles and the specific approach in analysis of the works based on our original criteria. As you will see from the slides, several pieces look alike, some artists favor each other, etc. Although I haven't received them all, because I am trying to get a set to you & to Henry, it would seem that serious cuts should be made. I'll leave that up to you [double underscored] two [end of double underscored] I have advertised for an exhibition designer. He will need the exact pieces to determine the layout in Gallery Two. There's the possibiliity that the art component will extend into the sculpture court area. This means designing different kinds of wall systems to separate it from the entry - historical part.

MS01.03.03.B07.F01.0056

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MS01.03.03.B07.F01.0056

MS01.03.03.B07.F01.0056

The David C. Driskell Center Transcription Project

Help us transcribe the papers of artist, educator, and curator David C. Driskell