History of the Philadelphia Stage, Between the Years 1749 and 1855. By Charles Durang. Volume 1. 1749 to 1818. Arranged and illustrated by Thompson Westcott, 1868

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p. 401

Palmer Miss 3 Mr 11

Payne Jon Howard 1st app: 86

Pepin Victor, equestrian 98 [and went?] 115 and Breichard 1809 98

Pettit Miss 90

Philad Negotiation to theatre 1753, 7

Phillips - singer 1st app 116

Placide duel 66 death 67, 93 Caroline 100

Poe 77 Miss. 77

Pool come train Circus Market St 47

Pownell Mis 30 sketch 50 death 50

Presbyterians against Theatres 10, 16

Pugmore sketch 31

Quakers against Theatres 8, 10, 12, 13

Randolph Jon of Roanoke Quarrel at Theatre 64

Rankin Ms 30

Reano equastrian 48

Reed 11

Reinagle alex 34 sketch 35 Hugh death 87

Riddle Mrs 1st app: 103

Richards 45

Rich 1

Richardson Miss 17

Richmond Theatre burnt 94

Ricketts Jon Bill 47 sketch 47 at 12th and Market 47 Chestnut and 6th 47 Circus [?] 48 Compy in 1796 65 Cirucus burnt 67 Francis 47 67

Rigby 3 Mrs 3

Robbins Luke Painter 32 " 78

Robertson - "antipodean" 69 Hopkins 108 " Mis 108

Rowson Mrs 35 sketch 42 Mr 35 Mis 1st app: 66, 67

Saville Ms 62

Salaries at Chestnut 29

Seymour death - 109

Siddons Mis 56

Sing Elton 3

Simonet Mons. dancer 36

Simpson 85 at Olympic 91 Mrs 1st app: 90

Shaw Mrs 35 sketch 42 Mr 35

Snyder Jacob - Painter 24

Society Hill Theatre 10 11

Southwark Theatre - opened 14 in 1778. 20 an Opera House 25 26 Washington at 26 His entry into Philad 26 - sketch 34 - Compy at Chestnut 1801 - 69 Chestnut Compy at 71 - open 115

Solee Miss Corps 1797 58

Smalley 1st app: 100

Spinacuta dancer 48 Mrs 48

Spiller 1st app 90

Stanley Mis 1st app 84

Steward Wm S 109 Death 117

Stanislaus Seron 117

Stoker Miss 15 24

Stage business 1797 59

Strickland Architect 99

Sully equestrian 48, 65, 66 death 109

Sweet Mrs 1st app 90

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Taylor 1st appearance. 59 " " " 76

Templeman 21

Tiboli 117

Tomlinson 11

Take Miss 24

Tyler 1st app: 99

Turner Wm 84

Twaits 73, 104 death 109

Usher Luke 1st app 68 Operas Lexington Theatre 84 [?] death 109

N. S Theatre Washington opened by Wignell V Reinagle 74

Vanice Miss 1st female [?] in the US 66

Vaux hall Garden burnt 70 concert in 1817 115 " " 1816 112

Wainright Miss 13 - 18

Wall Ms 15

Warrel Mr 35 Mis 35 Miss 35 sketch 89

Warren Wm 51 and Wood 87 Mis death 73 83

Ward Chas (Property [?] ) 76

Waring Leigh 104 Mrs 106

Washington at South wark Theatre 26 entry in to Philad 26 death Ceremony at Chestnut 64

Water St Theatre Philad 8

Webster [himed] 76-78, 83

Wert J. sketch 85, 90 equestrian 113 James sketch 32 113

Westray Miss E 1st app 68 Miss J. 1st app 68 75

Wignell Thos arrives 18 sketch 23 [Secedes?] from Southwark 27 in 1797 58 partner with Reinagle [?] 72 Mis Wignell aloud ow 73 Mis Wignell partner with Reinagle 73 [? ?] 74 - death 83

Willems Miss 35

Williamsburg Theatre 1752 5

Williams Mis S. 1st app: 114 Mis 109

Wilmot 82 Mis 82

Winnel 3

Whitlock Mis 35 sketch 39 Mr 35 sketch 39 - 70

Whale Henry [master?] dancer 87

White Miss Mary 1st app 90

Wood Wm B 1st app 61 rivalry with Cair 62 Mr 75 Welch 75 death 75

Woodham 76 Mrs 76 death 83

Woodhull Jacob 1st app: sketch 115

Wools 13 sketch 29

Young Charles 85 Mrs 85

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Mr Campbell Mr Jon Gilbert

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Dear Dispatch:

I have lately seen an article in a weekly paper, claiming that Thomas Paine is the author of the letters of "Junius," and also fo the "Declaration of Independence." It seems to me that years ago I read something like the same statement in relation to those letters in your column to anxious inquirers. Am I correct in this seeming? and if so will you please name what reason you have for such a statement?

I have in my possession an old book published in the year 1818 - written by John Taylor - in which it is quite plausibly contended that Sir Philip Francis is entitled to all the literary credit of those remarkable productions.

As Paine was an excise officer of the British government and

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in all the days of "Junius" lived near the city of London, and being himself a writer of no mean order, often highly sarcastic and beautifully chaste in his style, may not these facts together with his known proclivities against all official corruptions-

be something to sustain the theory of his being the great unknown?

And his living in Philadelphia at the time the Declaration was written, his intimacy with Jefferson its reputed author, may it not also be possible that he might have aided him in that masterpiece of composition? Will you please let your readers have your views on the above? Very Truly yours "Junius,"

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