XCOMPLETE-copy-1-67-paintings-and-drawings-1885

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This collection comprises records of paintings and drawings submitted to the Stationers’ Company for copyright protection between 1862 and 1912. The records are entry forms containing information about the creative works being submitted for copyright protection, with attached samples of those creative works. The details found in the entry forms include:

If anything is unclear, mark the page for review, and leave comment on what is unclear.

Any extra remarks or comments from the service include in the Notes field.

If you are unsure of anything or wish to ask a question or leave a comment add to the Notes and Questions at the foot of the page. Mark the page as For Review and we will respond in due course.

For any enquiries regarding the project or transcription help please contact us at:remotetranscriptions@nationalarchives.gov.uk

Pages

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Complete

756

If this page displays an entry form with no image sample visible, please categorise 'Entry form' and transcribe all fields except the height and width of the image sample.

If this page displays an image sample (the handwritten text in the form is partially or fully obscured or not present), please categorise 'Image sample' and enter ONLY the image number (if present) and the approx. height and width of the image sample.

If this page displays an entry form & an image sample (with ALL handwritten text & the image sample visible), please categorise ‘Entry form’ and transcribe all fields including the image number (if present) and the height and width of the image sample.

Page type: Image sample

Item number (top right of entry form):

Image number (corner of image sample itself - leave blank if not visible):

Date of registration stamp:

Date form completed (next to signature):

Description of work:

Date of Agreement or Assignment:

Names of Parties to Agreement or Assignment:

Name and Place of Abode of Proprietor of Copyright (use commas):

Name and Place of Abode of Author of Work (use commas):

Approximate height of image sample (cm): 13

Approximate width of image sample (cm): 9

Last edit almost 2 years ago by James Phillips
757
Complete

757

If this page displays an entry form with no image sample visible, please categorise 'Entry form' and transcribe all fields except the height and width of the image sample.

If this page displays an image sample (the handwritten text in the form is partially or fully obscured or not present), please categorise 'Image sample' and enter ONLY the image number (if present) and the approx. height and width of the image sample.

If this page displays an entry form & an image sample (with ALL handwritten text & the image sample visible), please categorise ‘Entry form’ and transcribe all fields including the image number (if present) and the height and width of the image sample.

Page type: Entry form

Item number (top right of entry form): 441

Image number (corner of image sample itself - leave blank if not visible):

Date of registration stamp: 11 March 1885

Date form completed (next to signature): 10 March 1885

Description of work: Oil Painting entitled "Divided Attention". Female leaning over railings to take bouquet held up by a hand. (Photo Annexed)

Date of Agreement or Assignment: 22 January 1884 [Maybe 1885??]

Names of Parties to Agreement or Assignment: Jerry Barrett. Arthur John Buncher.

Name and Place of Abode of Proprietor of Copyright (use commas): Arthur John Buncher, 229 Coventry Road, Birmingham.

Name and Place of Abode of Author of Work (use commas): Jerry Barrett, 15 Avenue Road, Regents Park, London.

Approximate height of image sample (cm):

Approximate width of image sample (cm):

Last edit almost 2 years ago by James Phillips
758
Complete

758

If this page displays an entry form with no image sample visible, please categorise 'Entry form' and transcribe all fields except the height and width of the image sample.

If this page displays an image sample (the handwritten text in the form is partially or fully obscured or not present), please categorise 'Image sample' and enter ONLY the image number (if present) and the approx. height and width of the image sample.

If this page displays an entry form & an image sample (with ALL handwritten text & the image sample visible), please categorise ‘Entry form’ and transcribe all fields including the image number (if present) and the height and width of the image sample.

Page type: Image sample

Item number (top right of entry form):

Image number (corner of image sample itself - leave blank if not visible):

Date of registration stamp:

Date form completed (next to signature):

Description of work:

Date of Agreement or Assignment:

Names of Parties to Agreement or Assignment:

Name and Place of Abode of Proprietor of Copyright (use commas):

Name and Place of Abode of Author of Work (use commas):

Approximate height of image sample (cm): 14

Approximate width of image sample (cm): 10

Last edit almost 2 years ago by James Phillips
759
Complete

759

If this page displays an entry form with no image sample visible, please categorise 'Entry form' and transcribe all fields except the height and width of the image sample.

If this page displays an image sample (the handwritten text in the form is partially or fully obscured or not present), please categorise 'Image sample' and enter ONLY the image number (if present) and the approx. height and width of the image sample.

If this page displays an entry form & an image sample (with ALL handwritten text & the image sample visible), please categorise ‘Entry form’ and transcribe all fields including the image number (if present) and the height and width of the image sample.

Page type: Entry form

Item number (top right of entry form): 442

Image number (corner of image sample itself - leave blank if not visible):

Date of registration stamp: 11 March 1885

Date form completed (next to signature): 10 March 1885

Description of work: Oil Painting entitled "A Message From Afar", two females seated, one with letter. (photo Annexed)

Date of Agreement or Assignment: 22 May 1884

Names of Parties to Agreement or Assignment: William Oliver, Kenworthy & Bailey, Arthur John Buncher

Name and Place of Abode of Proprietor of Copyright (use commas): Arthur John Buncher, 229 Coventry Road, Birmingham.

Name and Place of Abode of Author of Work (use commas): William Oliver, 21 St Johns Wood Road, London.

Approximate height of image sample (cm):

Approximate width of image sample (cm):

Last edit almost 2 years ago by James Phillips
760
Complete

760

If this page displays an entry form with no image sample visible, please categorise 'Entry form' and transcribe all fields except the height and width of the image sample.

If this page displays an image sample (the handwritten text in the form is partially or fully obscured or not present), please categorise 'Image sample' and enter ONLY the image number (if present) and the approx. height and width of the image sample.

If this page displays an entry form & an image sample (with ALL handwritten text & the image sample visible), please categorise ‘Entry form’ and transcribe all fields including the image number (if present) and the height and width of the image sample.

Page type: Entry form

Item number (top right of entry form): 443

Image number (corner of image sample itself - leave blank if not visible):

Date of registration stamp: ?

Date form completed (next to signature): 29th December 1884

Description of work: Oil Painting entitled "Scotland". Three quarter length figure of a girl standing, her hands joined before her, a Scotch plaid over her left shoulder and across her breast. Background of tapestry.

Date of Agreement or Assignment: 17 November 1884

Names of Parties to Agreement or Assignment: Edwin Long and Thomas Agnew & Sons

Name and Place of Abode of Proprietor of Copyright (use commas): Thomas Agnew & Sons, 39 Old Bond Street, London.

Name and Place of Abode of Author of Work (use commas): Edwin Long RA, Kelston, Fitzjohn's Avenue, Hampstead.

Approximate height of image sample (cm):

Approximate width of image sample (cm):

Last edit almost 2 years ago by James Phillips
Displaying pages 756 - 760 of 811 in total